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Showing posts from October, 2012

Point of View: Third Person Limited

Third person Limited keeps it's focus one one character. It's like that character is being followed around with a TV camera. It has two empathy levels: Subjective and Objective. Let's look at Each  Subjective  This is the most commonly used third person POV. In many ways, it is like first person main character. You focus on the point of view character, know his or her thoughts, feelings, emotions, sensations, etc. The only difference is that an anonymous narrator is telling the story and not the POV character. This character is usually a main character, but not necessarily. In some novels you will shift the POV from one character to another in different scenes. We will talk about multiple points of view in another lesson. However, it is important to remember to stick to a single point of view for each scene. Most of what we said about first person applies here as well. Your character and reader can only know about what is known or could possibly be known to the main charact

An Overview of Third Person Point of View

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In simplest terms third person point of view stands outside the action and describes what is going on as an objective and anonymous reporter. In essence, it is the print equivalent of a camera. However, third person gets complicated in terms of where that camera is located and whether or not it is also able to read thoughts. Third person point of view always has to deal with two different dichotomies: Scope and Empathy. Scope Scope refers to what the camera is able to see within a given scene or over multiple scenes. The dichotomy here is between limited and omniscient points of view. Limited refers to a story or scene which stays focused entirely on one character. It's like the camera is attached to that person's forehead. Whatever happens in their presence is what gets recorded. Omniscient point of view allows the author to view everything regardless of it happening in the presence of the character. The author can break away from the main character's point of view to prov

Point of View - First Person Minor Character (Oblique)

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In the last two posts we talked about t wo relatively common forms of First Person point of view. In the first , the main character tells the story. In the second a s ec onda ry, but still important, character does. These are fairly common , but, s ometimes, a story can be told from what is called the "Oblique" point of view by a minor character particularly one who does not have any significant impact on the events in the story. For instance, in To Kill a Mockingbird the story is told by Scout, a young girl who doesn't understand most of what she reports in a tragic story of racism and justice gone awry. This is an unusual point of view. It is generally used as a method of separating the reader from direct identification with any of the "actors" in the story. The events are told by a third party who witnessed them, but was not part of the story. It is a difficult type of point of view to master. The character sits on the bank of the river describi

put code box on blog post

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                                   I saw in many technical blogs that they put java/script code  directly on the post.sometimes readers can't separate the code from the post when they try to copy that code.so the solution is CODE BOX.there are many types of code box but I'm telling to you how put the simple code box in your blog post. copy the  this code <textarea name="textarea" cols="40" rows="4" wrap="VIRTUAL"> YOUR CODE   </textarea> then in your new post click on the HTML tab and paste the code see the below picture If you have a trouble  now you can see the result like this YOUR CODE replace  YOUR CODE     from the code   you can make some changes  replace the   40   number of column you want replace  the   4    number o rows you want

Point of View: First Person - Secondary Character

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Photo Credit Ell Brown Not all first person stories are told from the perspective of the main character. Frequently, it is told by a secondary character who was involved in the events of the story. The most famous example of this would be Sherlock Holmes stories in which his friend and associate Dr. Watson writes the stories. Holmes complains about how Watson sensationalizes his "methods." Indeed, another mystery writer used this technique. Agatha Christie's third, Hercule Poirot novel, The Murder of Rodger Ackroyd, tells the story from the Point of View of a Dr. Shepherd who calls on a retired Hercule Poirot to investigate the crime. :::Spoiler Alert::: Turns out that Dr. Shepherd is in fact the murderer and the faces of the case are found in his journal. Christie also has Poirot's friend Captain Hastings write a number of the books. This POV can be useful in both cases because the main characters are brilliant, but a bit hard for the average person to un

Understanding Point of View: First Person Main Character

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What is Point of View? At it's simplest level point of view is a matter of grammar. We learn about it in grade school. Certain words designate a particular point of view. "I, me, we," and their variants represent first person. "You, yours, etc." designate second person. "He/she, him/her, they, them" are third person. However, that simplicity covers a much deeper and more complex aspect of story telling. A simple way to think about point of view is to think about the perspective from which the story is told and who the narrator is. In this particular lesson  we will look one of the most common ly us ed points of view: First Person Main Character. First Person Main Character Photo by Dhanira   Usually, an author uses this approach to first person writing. It has obvious advantages. The story is about this character and his/her adventures. So, you don't have to invent ways that a secondary character might know something significant that hap

Walk A Mile in Your Characters' Moccasins

 The typical advice you get in writing books about how to build characters is to create a detailed dossier about each character. You're supposed to write down everything that you can think of about the character from physical description to foods they like to eat  o attitudes about politics. According to these teachers that is the way that you get  o know your character. It certainly isn't a bad way of developing a character. However, it is not  he only way. You don't have to make copious notes about your character to get to know him/her. If that isn't your style, here's a way to develop characters from the inside out. It requires some quiet time when you won't be interrupted. So, you might send the kids and hubby/wifey out to a movie while you do this. I lie down  for this exercise, but that is dangerous because I sometimes fall asleep. Just be sure you are in a comfortable position sitting or laying. Close your eyes and begin by visualizing your charact

Axiom HQ Recognized for Good Brick Award by Preservation Houston

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Native Houstonian and Axiom President Tom Hair was selected as one of the recipients of Preservation Houston’s Good Brick Award, which has recognized successful restoration efforts in Houston since 1979. Hair purchased the historic Fire Station No. 6 building, located at 1702 Washington Ave., in December 2005. The transition from moving Axiom’s offices from the Montrose area into Fire Station No. 6 was completed in February 2012. Fire Station No. 6 (est. 1903) is Houston’s second-oldest, still-standing firehouse since the Houston Fire Department began paying its firefighters in 1895. Fire Station No. 7, home of the Houston Fire Museum at 2403 Milam St., was built in 1898 and opened the following year. Preservation Houston's Good Brick Awards ceremonies will be held Feb. 28, 2013 at River Oaks Country Club. Other notable restored buildings that have been selected for Good Brick Awards include the Federal Land Bank Building (1988); the Warwick Hotel (1990); and the renovation of Unio

You Speak It Types

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I remember watching a science fiction show on TV back in the sixties that had this remarkable device. It was a typewriter with a microphone and the secretary just talked into the microphone and it wrote what she said. I thought  hat would be great. Well, as with much of the science fiction by youth, the future is here. And, it has been here for about fifteen years. With Speech Recognition, a child could write before they learn to read. Back then, the recognition was not always too accurate. Most desktop computers just didn't have enough power or memory to process continuous speech. Much has changed since then. Today is a product like Dragon NaturallySpeaking, after training, can have upwards of 99% accuracy. Frankly, that's better than my typing. Today, I am using Dragon NaturallySpeaking the 12th edition. I am currently looking at my screen, talking and watching the words appear in front of me. It's almost like magic. I don't use speech recognition for everything. Some

Aristotle and character motivation

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One of the first things I learned in college, which I didn't already know from high school (our high school was pretty good so the first two years of college were mostly an advanced review), was a quote from Aristotle's Rhetoric. Aristotle wrote, "There is an object at which all men aim in any action which they choose or avoid; and that object may be called happiness or possession of The Good." I capitalize The Good because it is an interesting word in Greek. Aristotle combined two Greek words translated "good" in English to create a concept unique to his writing. One is Kalos meaning "good, useful, beautiful, practical, and well made." The other "agathos" means "morally good, righteous, ethical, justifiable." In other words, the actions we take are motivated by what we perceive as being both desirable on a material level, as well as, morally right. So, what does this have to do with fiction writing?  Your characters do things.

I Wrote My Novel MY Way Part 3: The Explorer

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You will find me repeating a lot of what I said in an earlier post when I discussed how I go about planning a novel. That is because I'm an explorer. I don't usually go into a writing project with no plan at all. I do know where the story starts and what the ending is going to be. Sometimes I even plan backward from the ending. However, detailed plot outlines are a bit too restrictive for me and time consuming because I know some things will change as I write my story and get to know my characters more. I fit into the Explorer or Discoverer mode. I use the words interchangably because like an Explorer, I do my research, I have a destination in mind, I have some idea of part of the terrain before I leave, but much of the journey, if not most of it, is still a mystery to me. But I'm also a Discoverer because I discover much of my story (especially subplots and side plots) as I write. I set my characters loose in the world I've created and follow them around

I Wrote it MY Way: The Plotter

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Friday we discussed one end of the spectrum when it comes to planning a novel (or any other type of writing for that matter) - The Pantser who "writes by the seat of his or her pants" without doing much in the way of planning. At the other end of the spectrum (and it is a spectrum not just three distinct ways of doing things) is the Plotter. If you take just about any novel writing class offered (with the exception of mine) this will be the one and only method presented. The arguments are compelling. Having a clear detailed outline before you begin to write will keep you on track and reduce the need for as many revisions later on. Also, since you have the plot laid out in advance, you won't find yourself saying, "So where do I go from here?" Likewise you can spot the holes in your plot early and correct them before you begin to write. Also, it gives the student an exercise you can grade. :-) Seriously, many people feel much more comfortable with a d

Writing a Novel YOUR Way: Part 1 - The Pantser

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Earlier in the week we discussed how I go about planning a novel. I referred to my approach as the explorer. I have a very brief outline that sets forth destination points along the way, but it is not a scene by scene outline. There are many unplanned twists and turns in the final writing. We will talk about this in more detail later. Today, though, we will begin with the most maligned of all techniques known as the "Write by the Seat of My Pants" approach or "The Pantser." I've read many writing books on all types of writing and have never seen one good word written about this technique. I think I understand that. After all, if I am trying to sell a book on how to write, part of that book is going to have to do with planning my writing projects. Several dozen pages will deal with that subject. Yet, if someone is not planning, what will I put in those pages? Indeed, if you look at most well-known writing instructors' signature approach to writing, i

How I Plot a Novel

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It's  Nanowrimo  (National Novel Writing Month) time again. That's just two weeks from now. That means NanoPLOTmo is upon us. National Novel Plotting Month as we head into the craziness of November. I know some of you are "plotters" and some of you are "pantsers." Some need a detailed plot describing what happens virtually on every page before sitting down to write. Others "fly by the seat of your pants" not having anything on paper creating the plot as you go. And people in both camps produce great novels, so I'm not going to tell you one is better than the other. I'm going to just give you a third model that lies somewhere between the two. I'm calling The Journey of Discovery model. First Things First Before you begin to think about plot (plotter, pantser or discoverer) you need to do some prep work. For me that's settling three specific things: Premise or Story Concept, Characters and Setting. Premise.  The premise for me is sort

Why I Nanowrimo?

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Well, in three weeks we will be heading into a month of "literary abandon." November is National Novel Writing Month . That time of the year when thousands of writers. ranging from seasoned pros to absolute beginners, try to write an entire 50,000 word novel in a month. It's sort of like marathoning. Unless you've done it, you don't know why other people do. You can keep bungee jumping, sky diving, undersea demolition, this is the real adrenaline rush. Chasing along behind your characters as they travel through their adventure at 1650 words a day - or more. Many of us take the 50,000 word goal as just a beginning. I'm going to be going for 75K this year. I know some who try to make 100K or more. So, why do I do this? What good is it? I find that a strange question. You don't see people asking guys in tea shirts and baseball caps, guzzling beer and shouting "Go Defense" why they do it? You don't ask someone watching an opera or delighting in a